These conversion LUTs provide a neutral matching of the signal to the monitor, so they can be considered technical LUTs. A Conversion LUT translates the flat V-Log material to a more restricted, yet contrasty, Dynamic Range and shifts the color space to match the monitor, bringing both parameters to a technical standard for viewing such as Rec. You can adjust V-Log for viewing using a 3D LUT (3D Look Up Table). These Log-recorded images are used to provide the greatest possible flexibility for later color correction they are not intended to be viewed directly. However, displaying this huge range of image contrast (the darkest shadows to the brightest highlights) in Log format on a conventional monitor will result in an image that looks flat and dull to the eye, with colors appearing desaturated. HOW V-LOG AND V-GAMUT WORKWhen acquiring in native V-Log/V-Gamut, the VariCam lineup of cinema cameras capture imagery with more than 14 stops of Dynamic Range and a very wide color spectrum, both parameters often exceeding that of 35mm film.To store this wide range of exposure in the recorded image, a log (logarithmic) contrast curve is utilized. Applying a LUT still would be one of the most favored options and go-to solutions that would provide a great starting point and a solid base for more advanced colour adjustments.The UK-based cinematographer Daniel John Peters has produced a handful of LUTs dedicated to the recent V-Log L gamma mode of the that can be directly purchased and downloaded from his. Yet, as any other camera system, the GH4 also has its unique features and specific colour science so again some upfront testing and tweaking is required before you can get the optimal results. What is the best way to colour grade the log footage coming from the camera itself? Well, there is certainly no straight answer to this question.
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Works within Adobe CC, Resolve, and FCPX (with a LUT utility installed.Soon after the highly anticipated V-Log L license key started to ship to the first eager GH4 shooters, the next logical concern popped up. These LUTs can be used within any editig program that reads.
You can find a link to a free installer here: FINAL CUT LUT INSTALLERĩ creative look LUTs and 1 utility LUT, specifically designed to look best with footage shot with the LOG Version 2 Color profile and up available with the FiLMiC Pro Cinematographer's Kit, but these will also work with Log Version 3 as well.įor best results apply the included Utility LUT as an initial color grade, and then choose a creative LUT to apply over top for a finishing touch. If you are using Final Cut, you will need a LUT installer.Works within Resolve / Adobe CC / FCPX (with LUT Utility installed).These LUTS can be used in any editing program that reads.These LUTS will also work with the new Version 2 and 3 of the Log and Flat Color profiles in FiLMiC Pro.Specifically designed for use with mobile phone footage.Works best with FLAT or LOG footage captured with FiLMiC Pro (also works with footage captured with the Moment Pro Camera App.).
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